Jeanne Moeschler of JM.ID in Menlo Park did a wonderful job transforming a young family's traditional two-story in Professorville into a sophisticated, garden-themed home. We shot the living room, dining room, kitchen counter and patio all in two and half hours. Used a combo of flash and natural light for these.
This shoot with interior designer Celine Coly at Living with Chic was quite the undertaking. We took around 20 different shots in a single day...I think that's my new record now. Those who believe that shooting products and spaces is easier than shooting people and events have never spent 30 minutes rearranging pillows and chairs to be just right in a photo. To get these results, we timed shooting each room just right and only used natural light.
One of my favorite things about photography is that no day is ever the same and I never know quite what to expect when someone offers an assignment. This one came from the talented Benni Amadi of Benni Amadi Interiors.
In this case, I was faced with a particularly difficult challenge - a small, but beautifully designed powder room that had no natural light. I brought in my favorite strobe light, bounced flash off the ceiling...all the while having fun explaining the science of capturing light to the owner's young boy who was fascinated that I could control everything from a laptop sitting on the ground.
I had so much fun shooting a kitchen and bathroom near the panhandle with Kimberly Ayres in the middle of a storm earlier this month. A secret of many interior photographers is that overcast days can make for the best shoots. The rain clouds really soften the light and the darker skies outside of windows balance with the interiors, so that the exposure a camera takes will need less post-processing.
Denise Maloney, her assistant and I worked hard to capture her two projects in one day - a Danville shoot in the morning and a San Francisco shoot in the afternoon.
The San Francisco shoot on Treat Avenue had so much natural light that all I really needed were some light diffusers. The Danville shoot (the second set of images) had me running around everywhere setting up extra lights. I have to say - natural light is much easier to shoot, but good light is sometimes hard to come by!
Sometimes when you feel like you're getting old, you gotta revisit the places that inspired you as a kid. For me, those two places were the SF MOMA and the Getty.
Got a chance to visit the SFMOMA as part of Judy Walgren's SFAI photo workshop and then flew down that weekend for my sister's birthday party in LA. How could I resist getting inspired by Meier? I got to shoot the Getty for fun one morning, fell in love with the results from my new camera and went back to shoot another afternoon! Here are some shots from the Northern Pavilion.
The weather has been changing so quickly as of late. I definitely though twice about waking up at 6AM to shoot exteriors in the rain, but my client really insisted. We lucked out as the storm stopped for a quick 20 minutes to allow us to shoot. I'm glad we went with the weather and caught the Bay Area essence with all that rain and fog! Here's to taking risks :)
The interiors were shot in a Victorian built in 1903 in Alameda. The owner had an eclectic mix of artwork - cartoons, tribal pieces, graffiti art and 24 pinball machines. The theme of his home was "Golden State." My client and I fell in love with a white tiger painted by a talented graffiti artist - Saute - and had to include a snap with the rest of the portfolio.
Big thanks to 3 Lights Design for entrusting me with your projects!!
The weather definitely wasn’t on our side for the past two weeks we tried to schedule this. Got to take advantage of our one day of sun during the week and shot a set for Aetypic Architects + Engineer's coworking space in SOMA. Gotta love the slight cloud cover softening the light though.
I've reinvested my earnings from this year's shoots and purchased a new camera body. Not a bad project to break out the new gear!
Here's a sample of the set I shot on the 3rd floor amenities deck. More is to come in the following weeks.
The last two weeks have been pretty busy. I went on 3 location scouts for projects I'm shooting in March, had two trial shoots for clients, and wrapped up another shoot for Acadia Architecture.
Here are 4 interior shots for Zero Ten Design's Loop Optometry office in SOMA. Most people seem confused to hear that I don't use my own lighting in most shoots. I still rely heavily on Photoshop with bracketed exposures - it's how I grab that natural look in the photos below. It's a bit more stressful, since it relies on working with rapidly changing light during the shoot. I guess the challenge excites me and the results keep me working that way.
It's been a while since I have the pleasure of working with natural light flooding in from the windows. I made the most of it with this immaculate space.
Lot's of thanks to May Szeto and her team at Loop Optometry for allowing us to shoot this space on a Friday afternoon!
I am so happy to wrap up this project for Davide Giannella at Acadia Architecture. He did a great job on the exteriors and turned an old Los Altos kitchen and living space into a contemporary space for a young Indian family.
This expansion to American High School was aided by Project Frog's building kits. Project Frog partnered with SVA Architects, Rodan Builders and Vanir Construction Management to build this dual two-story building complex for Fremont Unified School District.
I was thrilled when I first got the assignment - it's my first corporate assignment and it was nerve-racking going into it. The shoot went smoothly with the help of School Secretary Sheri Erickson (a big help with giving me a tour and quickly setting up those lab interiors) and Principal Steven Musto. Giving another shout out to Lloyd Cavalieri of Rodan Builders for staying past sunset to wait and put fencing back up around the courtyard lawn!
It was great shooting this lovely bathroom and sitting room by Huang Iboshi Architects. Emily and Greg already had the rest of the house photographed and needed some quick snaps of the bathroom and back doorway. I loved how they had mirrors to turn a smaller room into a more spacious well-lit room. It gave a pretty modern spin on an old Victorian house. I had some fun playing with optical illusion to come up with detail shots.
So excited to finally post images from this wonderful shoot with Johnston Home in Atherton. Lots of beautiful natural light in the morning helped illuminate this guest home.
I didn't know what to expect when I first submitted my photo of a cypress tree back at the end of October. Guess I had some extra time on my hands as a busy tutoring season was winding down and I found some balance to work on photography again. Guess I also felt a bit isolated down here in Redwood City, away from any art scene.
I had made myself a promise during that week I submitted to the contest, committing to making sure I find time to pursue photography again. I guess you could call it a on-and-off relationship I've had with the arts for the last decade, balancing earning money to pursuing what I love.
It's definitely rewarding seeing my work chosen amongst the top 100 entries submitted to APA San Francisco's annual photo contest. A contest focused on personal work for photographers, the APA Something Personal contest definitely had some strong work from 72 photographers.
Couldn't help but admire the photo of One World Trade Center from Paul Turang down in LA as well as Mitch Tobias's photo of the Yosemite Firefall. For a moment, I definitely felt like I contributed to a great community and I guess that's what I loved best about the night.
It's been a great Thanksgiving weekend with my boyfriend and his family up here in Seattle.
Was definitely a surprise getting an email from APA's curatorial team that let me know my project Konstruktivism was featured in the member gallery. It's encouraging to see it alongside the work of so many talented and established artists.
Looking back at the last year and a half of working outside of photography, I realize that there are many paths to get where you want to be. The point is to get there eventually.
This year, I am thankful for my boyfriend, family and friends who've supported me along the way. It's been fulfilling refocusing some efforts on photography in the last two months and it's refreshing to see some positive feedback from the creative community.
Happy holidays to all-
LA-based interior designer, Breeze Giannasio, fearlessly juxtaposes elements of open, modern Californian residences with an eclectic tribal ensemble for Johanna Maska, a marketing exec at a bay area fin tech firm and co-founder of Percena, a platform empowering women and minorities to network and grow.Read More
This marks my first official shoot up here in the bay. Was so excited to feature such a well-designed restaurant by Michael McDermott at Retifex. 3 hours of shooting and 7 hours of post-production later, here are the photos:Read More
Last night, I went out with my new baby - a tilt shift lens purchased from Germany. A board member of a non-profit organization, which provides self-sufficiency programs and housing to disadvantaged families, told me it was hosting its annual luncheon and could use some photos for decoration. Out I went into the Peninsula for inspiration.Read More