Colorbloq, a warehouse space converted into a coworking space/event venue, was recently finished by Aetypic Architects + Engineers. My 3rd project for Aetypic now, this fun and very colorful space reminds me of the Frietag Tower during my recent stay in Zurich. Definitely missing those vacation vibes right now.
I’m about caught up on my blog posts this morning, finally! Now only a little bit jet-lagged from my 16 day vacation abroad with my new fiancee, I’m ready to work on the images from the trip, update my very neglected Instagram (which I hope you will follow!), work on some images from my third shoot for Aetypic Architects + Engineers, and of course…get my butt out there to shoot some more Airbnb Plus listings.
August flew by too quickly. Towards the end of July, I was hired by Airbnb and completed their photographer training. During August, I had 7 Airbnb Plus shoots and 4 other client shoots to wrap up prior to departing for my trip abroad at the end of the month.
Sometimes it’s hard for me to believe that I’ve slowly established myself as a photographer, as I’m usually caught up with how I could’ve perfected a shoot.
When I finally mustered the courage to get myself out there earlier this January, I had all the trepidation in the world. Friends, family and my loved one all expressed their concerns about launching into an industry so unfamiliar to my background (rightfully so, I suppose).
It hasn’t been easy navigating the business side of things, understanding the equipment essential to professional images, and learning to handle common concerns clients have hiring someone perhaps half their ages. If I were to build a project over two years, I am sure I’d have my own reservations about hiring a fresh face to document the project as well!
I still believe that one of the hardest part about starting out is looking past the external influences. Each time you feel someone may not believe in your ability, you need to try to prove to yourself that they’re wrong. After each shoot, be dedicated to seeking all the ways it could’ve been done better.
My fiancee has found it odd that after I landed a job with Airbnb Plus, I was only pleasantly surprised. Many of our mutual friends who had reservations before are now warmly congratulating me as if I made it. What’s funny is that my mother had never heard of Airbnb before! However, I believe that when you are truly dedicated to your craft rather than gaining approval, a title or award will not matter much to you outside of a marketing perspective. It’s the small tricks and skills you come up with working on a set or working in Photoshop that satisfy you. It’s the fact that you are collaborating with other dedicated creatives that drives you.
It has been a journey looking from the extrinsic to the intrinsic rewards, but now that I have, I don’t plan on having it any other way.
Chris Hall and his team at Eaton Hall Architecture designed these kiosks nestled into foot of a large parking structure near San Pedro square. Part of an urban redevelopment project for San Jose, these kiosks were designed to increase the amount of foot traffic in the area. We wanted to capture a sense of the vibrant community around these kiosks as well as the geometric folds of the overhangs.
Another project completed in August. This one was for Studio Skaggs Kennedy in the East Bay. Way Station is a small restaurant located in the very quaint downtown Fairfax area. Sean and I wanted to emphasize the “grittiness” and authenticity of this gas station converted into a small restaurant.
I definitely recommend head chef Max’s beans and pulled pork sandwiches, both of which were made from recipes carried down from his grandmother.
By far one of the technically challenging shoots I’ve done, this FACES SF project was completed early August. Andrea Faucett designed these teacher lounges for a non-profit school serving under-privileged youth. We wanted to bring out the richness of the wood to show that design can be cost-effective, environment-friendly and beautiful.
Andrea Faucett and I collaborated heavily during the shoot, styling the sets, as well as after the shoot, deciding on the true color of walls, furniture, etc.
The problem with high end cameras is that they capture every nuance to color, yet tungsten and daylight color temperatures don’t mix well. It’s why I always opt to start the post-processing shortly after the shoot while the true colors are still fresh in mind.
Below are side-by-side comparisons of the scout photos and the finished product.
It's hard to describe how I felt when I first walked into this 3-story Edwardian designed by the very talented Holly Kopman of Holly Kopman Interiors. As someone relatively new to the bay area interior design scene, I was moved that Holly entrusted me with such a gorgeous project. Beautiful natural light could be found everywhere: it was bright and powerful on the top floor, a bit more subdued in the middle floor and moody on the bottom floor. I loved how she even designed the interior artificial lights to be nice and soft - I barely needed flash to fill in anything extra.
Laurie Ghielmetti did such an amazing job filling this large Atherton 3-story residence with modern artwork that it was easy to see all the different shots we could take to showcase her curation. This assignment was pretty unique - the goal was to find shots that could show how artwork fits in the context of the space as well as how each work paired with one another.
There was some challenge in that we could only access the property during limited times and the light can be quite hard to deal with in the middle of the day during these summer months. I'm always up for a good challenge and there's nothing flash strobes, diffusers and hours of post-processing can't handle. There were some nice 100% natural light shots to be had though :) Can you tell which they were?
Claire Taylor was one of the first designers to contact me back early this year. I was thrilled when she told me about a large project she had planned for this summer.
As a modernist with a love for natural light, I was a little nervous to find that her project was in a craftsman in Berkeley. I was floored when I first saw what she did during our scout and could not wait to shoot it for a full day. It's rare for me to be able to shoot for the length of an entire day, which allows us to find the most ideal lighting for each shot. The results were great and I cannot thank Claire enough for her teamwork.
The last few weeks have gotten quite busy with SF Design Week and my sister's high school graduation to attend. Am currently post-processing two shoots and have two more coming up in the next two weeks. Hanging in there, roughly reaching the 6 month mark of shooting.
Finally found the time to upload some recent photos of Katelyn Gilmour's beautiful bathroom & mud room designs in two different San Jose homes that we shot in one day.
I love shooting design and architecture, since I don't think there will ever be a day that I'm shooting something the same. These were different from what I'm used to shooting. There was almost no natural light to work with in most of these rooms.
I try to tailor each set of images to the style of the designer's portfolio and their work, whether it uses natural or artificial light. I begin to wonder if I will eventually develop a characteristic style, but am almost believing that versatility may be a good thing as I've learned each client has his or her own tastes.
Oakglen Way Shoot
These were shot in the morning. Katelyn and I worked closely to make sure that the light temperatures in the images matched the vision she had in mind - clean white in the laundry room and warmer, creamier light in the powder room.
Silberman Drive Shoot
These photos of a powder room, mud room and master bath were shot in the afternoon.
When shooting neutrals, go for the soft morning light look. There was plenty of light coming through in the kitchen area of this renovation of a craftsman home in Montclair. Architects Kristen Sidell and Rudabeh Pakravan of Sidell Pakravan continued their neutral palette in the bathrooms they renovated throughout the house. The summer light can be quite strong for shooting neutrals, even on a cloudy day such as this one. We worked around it as much as possible by finding times of the day in which the light didn't directly shine in.
Last December, my work was showcased at the APA SF holiday party alongside that of some of my favorite photographers - Paul Turang and Erik Almas. It really galvanized me to pursue photography professionally and I'm really glad I did after these last few months. Many lessons were learned and I think many clients have been pleasantly surprised from taking on some fresh eyes to shoot their work.
Yesterday night will keep a place in my memories though - I received second place at Pacific Art League's annual photography competition and my work is now exhibited for the first time at a gallery. It's been hard to put my work out there and lot of it has been sitting dormant on my hard drives, but seeing how people react to an image printed on classic baryta paper is inspiring me to get more work submitted and printed.
Art is meant to be shared. I enjoyed every moment of hearing what people's thoughts were on how I shot the image and what they were looking at. The biggest thanks goes to my friends, old and new, who showed up and gave their support.
Jeanne Moeschler of JM.ID in Menlo Park did a wonderful job transforming a young family's traditional two-story in Professorville into a sophisticated, garden-themed home. We shot the living room, dining room, kitchen counter and patio all in two and half hours. Used a combo of flash and natural light for these.
This shoot with interior designer Celine Coly at Living with Chic was quite the undertaking. Those who believe that shooting products and spaces is easier than shooting people and events have never spent 30 minutes rearranging pillows and chairs to be just right in a photo. To get these results, we timed shooting each room just right and only used natural light.
One of my favorite things about photography is that no day is ever the same and I never know quite what to expect when someone offers an assignment. This one came from the talented Benni Amadi of Benni Amadi Interiors.
In this case, I was faced with a particularly difficult challenge - a small, but beautifully designed powder room that had no natural light. I brought in my favorite strobe light, bounced flash off the ceiling...all the while having fun explaining the science of capturing light to the owner's young boy who was fascinated that I could control everything from a laptop sitting on the ground.
I had so much fun shooting a kitchen and bathroom near the panhandle with Kimberly Ayres in the middle of a storm earlier this month. A secret of many interior photographers is that overcast days can make for the best shoots. The rain clouds really soften the light and the darker skies outside of windows balance with the interiors, so that the exposure a camera takes will need less post-processing.
Denise Maloney, her assistant and I worked hard to capture her two projects in one day - a Danville shoot in the morning and a San Francisco shoot in the afternoon.
The San Francisco shoot on Treat Avenue had so much natural light that all I really needed were some light diffusers. The Danville shoot (the second set of images) had me running around everywhere setting up extra lights. I have to say - natural light is much easier to shoot, but good light is sometimes hard to come by!
Sometimes when you feel like you're getting old, you gotta revisit the places that inspired you as a kid. For me, those two places were the SF MOMA and the Getty.
Got a chance to visit the SFMOMA as part of Judy Walgren's SFAI photo workshop and then flew down that weekend for my sister's birthday party in LA. How could I resist getting inspired by Meier? I got to shoot the Getty for fun one morning, fell in love with the results from my new camera and went back to shoot another afternoon! Here are some shots from the Northern Pavilion.
The weather has been changing so quickly as of late. I definitely though twice about waking up at 6AM to shoot exteriors in the rain, but my client really insisted. We lucked out as the storm stopped for a quick 20 minutes to allow us to shoot. I'm glad we went with the weather and caught the Bay Area essence with all that rain and fog! Here's to taking risks :)
The interiors were shot in a Victorian built in 1903 in Alameda. The owner had an eclectic mix of artwork - cartoons, tribal pieces, graffiti art and 24 pinball machines. The theme of his home was "Golden State." My client and I fell in love with a white tiger painted by a talented graffiti artist - Saute - and had to include a snap with the rest of the portfolio.
Big thanks to 3 Lights Design for entrusting me with your projects!!
The weather definitely wasn’t on our side for the past two weeks we tried to schedule this. Got to take advantage of our one day of sun during the week and shot a set for Aetypic Architects + Engineer's coworking space in SOMA. Gotta love the slight cloud cover softening the light though.